The Tubes Featuring Fee Waybill @ Infinity Music Hall & Bistro

he Tubes will go down in the rock history books as one of the most exciting, in-your-face tight-knit group of musicians who epitomised the hilarity of popular American culture by making it into a the ultimate rock’n’roll extravaganza. Their live shows involved mock bondage rituals, simulated sex, 12-foot high rock stars by the name of Quay Lude singing ‘White Punks On Dope’, exploding televisions, chainsaws and an array of semi-clad dancers. Some say they were about 15 years ahead of Madonna, and light years ahead of the politically correct.

In the tradition of Frank Zappa and Captain Beefheart, the Tubes were one of the first bands to write and perform songs in a head-on theatrical onslaught.  They simply didn’t entertain, they shocked audiences into submission.  The Tubes were one of the pioneers of the rock video years before MTV became a household name, and used the medium in their early performances.  The band tapped into the American zeitgeist and ridiculed its materialistic values, superficial advertising methods, took a poke at religious fundamentalists and often questioned sexual taboos.  They took popular culture by the scruff of the neck, turned it upside down, and made it into entertainment.

Their outrageous performance-art concepts ranged  from titillating, tongue’n’cheek pornography to straight-laced, black tie all-American conservatism, all of which frequently clouded the fact that they were, like Frank Zappa, technically gifted musicians in their own right.  As the band progressed into the 1980’s they shed the controversial  theatrical spectacle in favour for a more stripped down live setting that showed them in a more musical light, that ultimately brought them long overdue commercial success in America.

At their best, The Tubes has the uncanny ability to highlight the absurdity of everyday American life, occasionally shocking audiences along the way, but more importantly, always making them think twice.  Perceived by fans and media alike as the ‘Marshall McLuhans of rock’n’roll’, the Tubes became both the medium and the message, stimulating the senses through their dynamic, controversial and politically incorrect audio visual live spectacles.  The Tubes have always managed to expose, enlighten and entertain audiences worldwide by combining art with trash, comedy with tragedy, and innovative rock theatre with consummate musicianship.